India One Of The Most Richest Civilizations History Essay

India One Of The Most Richest Civilizations History Essay India is home to one of the richest and the most ancient civilizations in the world, which existed over 5,000 years ago. This civilization originated in the Indus River Valley, hence the name given to it was Indus Valley civilization. It is the origin of many of the ideas, philosophies and movements which have shaped the destiny of mankind. The civilization with its main cities Mohenjadaro and Harappa flourished for over eight centuries. Its people thought to be Dravidians, whose descendants still inhabit the far south of India. The history of India begins with evidence of human activity of Homo sapiens as long as 75,000 years ago, or with earlier hominids including Homo erectus from about 500,000 years ago. The Indus Valley Civilization, which spread and flourished in the northwestern part of the Indian subcontinent from c. 3300 to 1300 BCE, was the first major civilization in India. A sophisticated and technologically advanced urban culture developed in the Mature Harappan period, from 2600 to 1900 BCE. This Bronze Age civilization collapsed before the end of the second millennium BCE and was followed by the Iron Age Vedic Civilization, which extended over much of the Indo-Gangetic plain and which witnessed the rise of major polities known as the Mahajanapadas. In one of these kingdoms, Magadha, Mahavira and Gautama Buddha were born in the 6th or 5th century BCE and propagated their ņºramanic philosophies. Almost all of the subcontinent was conquered by the Maurya Empire during the 4th and 3rd centuries BCE. It subsequently became fragmented, with various parts ruled by numerous Middle kingdoms for the next 1,500 years. This is known as the classical period of Indian history, during which India has sometimes been estimated to have had the largest economy of the ancient and medieval world, controlling between one third and one fourth of the worlds wealth up to the 18th century. Much of northern and central India was once again united in the 4th century CE, and remained so for two centuries thereafter, under the Gupta Empire. This period, witnessing a Hindu religious and intellectual resurgence, is known among its admirers as the Golden Age of India. During the same time, and for several centuries afterwards, southern India, under the rule of the Chalukyas, Cholas, Pallavas, and Pandyas, experienced its own golden age. During this period, aspects of Indian civilization, administration, culture, and religion (Hinduism and Buddhism) spread to much of Asia. The southern state of Kerala had maritime business links with the Roman Empire from around 77 CE. Islam was introduced in Kerala through this route by Muslim traders. Muslim rule in the subcontinent began in 712 CE when the Arab general Muhammad bin Qasim conquered Sindh and Multan in southern Punjab,setting the stage for several successive invasions from Central Asia between the 10th and 15th centuries CE, leading to the formation of Muslim empires in the Indian subcontinent such as the Delhi Sultanate and the Mughal Empire. Mughal rule came to cover most of the northern parts of the subcontinent. Mughal rulers introduced Middle Eastern art and architecture to India. In addition to the Mughals and various Rajput kingdoms, several independent Hindu states, such as the Vijayanagara Empire, the Maratha Empire, and the Ahom Kingdom, flourished contemporaneously in southern, western, and northeastern India respectively. The Mughal Empire suffered a gradual decline in the early 18th century, which provided opportunities for the Afghans, Balochis, Sikhs, and Marathas to exercise control over large areas in the northwest of the subcontinent until the British East India Company gained ascendancy over South Asia. Beginning in the mid-18th century and over the next century, India was gradually annexed by the British East India Company. Dissatisfaction with Company rule led to the Indian Rebellion of 1857, after which India was directly administered by the British Crown and witnessed a period of both rapid development of infrastructure and economic decline. During the first half of the 20th century, a nationwide struggle for independence was launched by the Indian National Congress and later joined by the Muslim League. The subcontinent gained independence from the United Kingdom in 1947, after being partitioned into the dominions of India and Pakistan. WHAT ARE THE ARTIFACTS ? An artifact or artefact is any object made or modified by a human. Artifact is the usual spelling in the US and Canada, artefact in the UK and Australasia (see spelling differences). In archaeology, where the term is most commonly used, an artifact is an object recovered by some archaeological endeavor, which may have a cultural interest. Examples include stone tools such as projectile points, pottery vessels, metal objects such as guns, and items of personal adornment such as buttons, jewellery and clothing. Other examples include bone that show signs of human modification, fire cracked rocks from a hearth or plant material used for food. Imported Mycenaean stirrup vase found in the acropolis of Ras Shamra (Ugarit), 1400-1300 BC Artifacts can come from any archaeological context or source such as: Buried along with a body (grave goods). From any feature such as a midden or other domestic setting Hoards Votive offerings Artifacts are distinguished from the main body of the archaeological record such as stratigraphic features, which are non-portable remains of human activity, such as hearths, roads, or deposits and remains, and from biofacts or ecofacts, which are objects of archaeological interest made by other organisms, such as seeds or animal bone. Natural objects which have been moved but not changed by humans are called manuports. Examples would include seashells moved inland or rounded pebbles placed away from the water action that would have fashioned them. These distinctions are often blurred: for instance, a bone removed from an animal carcass is a biofact, but a bone carved into a useful implement is an artifact. Similarly there can be debate over early stone objects which may be crude artifacts or which may be naturally occurring phenomena that only appear to have been used by humans. Head of the Buddha, Gandhara style, Stucco, 5th Century Around five thousand years ago, an important civilization developed on the Indus River floodplain. From about 2600 B.C. to 1700 B.C. a vast number of settlements were built on the banks of the Indus River and surrounding areas. These settlements cover a remarkable region, almost 1.25 million kilometers of land which is today part of Afghanistan, Pakistan and north-western India. The cities of the Indus Valley Civilization were well-organized Pot shards from Harappa and solidly built out of brick and stone. Their drainage systems, wells and water storage systems were the most sophisticated in the ancient world. They also developed systems of weights and trade. They made jewelery and game pieces and toys for their children. From looking at the structures and objects which survive we are able to learn about the people who lived and worked in these cities so long ago. The people of the Indus Valley Civilization also developed a writing system which was used for several hundred years. How ever, unlike some other ancient civilizations, we are still unable to read the words that they wrote. The excavations at Mohenjo-daro Mohenjo-Daro (English: Mound of the dead) was a city of the Indus Valley Civilization built around 2600 BC and is located in the Sindh Province of Pakistan. This ancient five thousand year old city is the largest of Indus Valley and is widely recognized as one of the most important early cities of South Asia and the Indus Valley Civilization. Mohenjo Daro was one of the worlds first cities and contemporaneous with ancient Egyptian and Mesopotamian civilizations. It is sometimes referred to as An Ancient Indus Valley Metropolis. Mohenjo-Daro, Harappa and their civilization, vanished without trace from history until discovered in the 1920s. It was extensively excavated in the 1920s, but no in-depth excavations have been carried out since the 1960s. The excavations at Mohenjo-Daro Mohenjo-Daro is a UNESCO World Heritage Site. The most extensive recent work at the site has focused on attempts at conservation of the standing structures, undertaken by UNESCO in collaboration with the Department of Archaeology and Museums, as well as various foreign consultants. In December 1996, preservation work at the 500-acre site suspended after funding from the government and international organizations ran out, according to a resident archaeologist. However in April 1997, the UN Educational, Scientific and Culture Organization (UNESCO) funded $10 million to a project to be conducted over two decades in order to protect the Mohenjo-daro ruins from flooding. This project has been a success so far. UNESCOs efforts to save Mohenjo-daro was one of the key events that led the organization to establish World Heritage Sites CONCLUSION: India is home to one of the richest and the most ancient civilizations in the world, which existed over 5,000 years ago. This civilization originated in the Indus River Valley, hence the name given to it was Indus Valley civilization. It was the origin of many of the ideas, philosophies and movements which have shaped the destiny of mankind. Its people are thought to be Dravidians, whose descendants still inhabit the far south of India. Above articles shows that the real picture of indian culture and its value. Artifacts and indian texts like (MAHABAHARTA, RAMANYANA etc) shows the indian culture and society in the ancient time.we can easily find out our indian history with the help of artifacts and indian text. Many historians had found the history of taj mahal or all other monuments with help of artifacts or as well as texts , it also found that how many years ago can monuments was built? What was the structures? Artifacts are mainly as simple indicators to give us the knowledge about past. Jewelry  is an important part of Indian culture and these artifacts are insightful into the lives of the previous owners. For example, it is known in part through jewelry that before European settlement it was not uncommon for Native tribes to trade amongst themselves as the materials used in the jewelry are interchangeable. Not only were the materials such as beads, shells, copper, silver, ivory, amber, and  turquoise  traded but it is also likely that  designs  and patterns were intermingled due to similarities in the pieces. Jewelry artifacts from Indians were typically either metalwork or beadwork. The styles were often constructed by hammering and etching to create  pendants  as well as stitching countless beads together. It is also of interest that these artifacts were not only used for decoration but may also have served religious purposes. According to my analysis , Indian artifacts are responsible our indian ancient culture.

Kiss of the Spider Woman

In Manuel Puig’s novel Kiss of the Spider Woman, Molina and Valentin use fantasy as a way of escapism. Firstly, Molina uses the films he tells in the cell to escape his unfavorable and lonely life by creating a preferred reality through the fantasy he creates in them. Secondly, the setting of the cell itself provides Molina with a sanctuary from the outside world, allowing him to escape from the gender roles in which he is confined in and fantasize about taking on the feminine role with Valentin through the isolation of jail.Lastly, in Valentin’s morphine-induced fantasy at the end of the novel, he can escape from the socially accepted stereotypical male gender roles and express his true feelings about Molina. Firstly, Molina uses the fantasy presented in the films he reiterates as a way to escape from the harsh reality of the real world, creating his own, more favourable one. This perspective can be seen throughout the novel, particularly in association with the strong romantic and feminine aspects displayed in the films.A film that allows Molina to escape the real world is told through his stream of consciousness in chapter five, which tells the love story between an unattractive maid and a young soldier, face scarred by the war. This film is very personal to Molina in two aspects. Firstly, it is told not aloud to Valentin, but inside his own head, and secondly, it features a protagonist who is an outcast to society who nonetheless finds love. It is told through the first person perspective of the maid, and the use of personal pronouns draw a connection between the characters of Molina and the maid.This parallel characterization is heightened through the maid’s casual and repeated reference to herself as an â€Å"ugly girl† (100), mimicking Molina’s expressions of self-deprecation through belittling diction. He is constantly using words like â€Å"revulsion† (260) and â€Å"disgust† (262) to describe himself wi th, and he even interjects the film to recount the judge’s description of him as â€Å"the worst, a revolting fag† (106). It is clear that Molina, a gay man living in a homophobic country of machismo men feels like an outsider with a lack of self worth.In the chapter three, Molina relates the story of his unrequited love for the waiter Gabriel: a heterosexual man who does not return Molina’s feelings. Molina is escaping from the bitter truth of his own love-less life and living through the fantasies he presents in the form of films: an outlet that allows him to experience a preferred and utopian reality. Puig’s purpose in drawing a parallel between the maid and Molina is to express Molina’s intense desire to find love and acceptance and suggest the eventuality this lies in Molina’s future, as it did for the maid.Through film, Molina can escape the bitter actuality of his own life into his own highly romantic and idealistic fantasies. Not onl y does Molina use fantasy in his stories as a way of escapism, through the isolation of their cell, Molina can escape from confining traditional gender roles and assume the feminine role with Valentin, a form of fantasy for him. Throughout the novel, it has been made clear that Molina identifies with women; even claiming â€Å"I want to be one† (19). Inside the cell Molina is able to escape from the prejudice experienced in his primarily homophobic country and don the feminine traits he associates himself with.Molina cares for Valentin when the latter becomes ill, indulging in a fantasy in which he is sympathetic, caring and maternal. For example: â€Å"But you have to wait for that, until you feel okay, and you can be sure that you only get half of that†¦Ã¢â‚¬  (156). It is obvious that Molina enjoys being subservient to Valentin. In a sense, Molina is not so much homosexual as he merely believes himself a woman. Indeed, he firmly believes in the stereotypical and tra ditional roles of men and women: â€Å"But if a man is†¦my husband, he has to give the orders, so he will feel right. That’s the natural thing, because that makes him†¦ the man of the house† (244).Molina’s identification of himself as female is what makes him subject to prejudice, such as the kind he experienced with the judge. Towards the end of the novel, Molina comes to the realization that his situation outside the jail cell will never change, and that the fantasy he is experiencing with Valentin will not last: â€Å"No, they’ll never change†¦Ã¢â‚¬  (215). Puig creates the irony that it is within the confines of prison that Molina feels the most free, and it is outside where he feels imprisoned. Inside the jail cell, Molina is able to escape the bleak future in which he foresees himself never fully being able to embrace his gender identity.The fantasy he is living with Valentin is an opportunity to live his life like a woman, free fro m prejudice and discrimination. Although it is mainly Molina who utilizes fantasy throughout the novel, in his stream of consciousness at the end of the novel, it is Valentin who escapes from the pain of real life and the confinement of the cell into a morphine-induced fantasy. In this dream-like state, Valentin, free from socially accepted gender roles, is able to express his true feelings and thoughts.At the beginning of the novel, Valentin’s only addition to the films appeared in blunt interruptions, often times closer to criticism of the films than positive contribution: â€Å"I don’t really get it, it’s very confusing the way you tell it† (12). As the novel progressed, and Valentin and Molina grew closer together, the dialogue between them became of greater significance, as Valentin let down his emotional guard. This emotional development culminated in Valentin’s expressive and out of character dream, full of vivid imagery, in which he can esc ape from the expectations of his gender, and express his true feelings, specifically towards Molina.The metaphor of Molina as the Spider Woman is epitomized in this chapter and through this image, Valentin can express his true feelings about him: â€Å"†¦so many threads that look like hairy like ropes and disgust me, even though if I were to touch them they might feel as smooth as who knows what, but it makes me queasy to touch them† (280). This represents Valentin’s initial unease about being intimate with Molina, but at the same time knowing that allowing someone into his personal life could potentially be gratifying.Being part of a revolutionary group, Valentin has been accustomed to severing personal relations that interfere with the cause. At the same time, he has been associated with having very masculine traits, even proclaiming: â€Å"I’m no woman† (38). By Valentin admitting both that he had sex with Molina, and that he â€Å"enjoyed itâ₠¬  (280) shows an immense diversion from his characterization at the beginning of the novel. In this fantastical state, he can escape from the traditional gender roles in which is perceived with and admit to his true sentiments.In conclusion, fantasy plays a very important role in terms of escapism for Molina and Valentin in the novel, both in terms of physical and physiological situations. Molina and Valentin experience three key escapist fantasies throughout the novel: Molina uses the fantasies in the films to escape his own disparaging life, Molina uses the setting of the cell itself as an escape for the gender roles he sees himself confined in in the outside world, and Valentin’s dream like fantasy allows him to express his true feelings and escape confining male gender roles.The purpose of these fantasies in Kiss of the Spider Woman is to provide the characters with an environment in which they can escape from the confines of their life and express their true feelings. Indeed, it is these fantasies that provide illuminating characterization and allow the reader to truly discern the nature of the characters of Molina and Valentin.Work Cited Puig, Manuel. Kiss of the Spider Woman. New York: Knopf, 1979. Print.

Romeo and Juliet Persuasive Letter

Dear My Love Juliet, Oh my Sweat, what a treacherous, remorseful event that has occurred. I am very sorry. I have slain your cousin Tybalt. I did not mean to be the force that killed your cousin, it was from mere impetuous thoughts belonging to me that lead to his slaying. You must be shocked and I don’t blame you as I am too in utter disbelief. I would have never done this in a million lifetimes. Yet this death did have a purpose. Your cousin Tybalt killed  my friend Mercutio, kinsman of the Prince. As I saw the lifeless body of my friend, anger swept through my bones.My body got hot and my mind went elsewhere. As a result of this, I did the unspeakable. Prince Escalus ordered making my fate the twin of Tybalt's, but somehow was persuaded to reduce it to exile. But no, this is still not to my satisfaction, but rather contributes to my woe. I cannot stand being without you, for that is worse than a man throwing one thousand knives at my chest one by one. Verona is no longer my home though, so you must understand my predicament. Also, just hope that I can come back soon.I wish to be pardoned by the Prince so I will not be exiled anymore, but I do not ask anything of you. I have hurt you enough, and I do not know how to make any of my atrocious actions up to you. And as I said before, I only want your understanding, not your pity, my dear. I could not know, but yet I do not regret marrying you. That was the most wonderful thing I have ever done. I will ward off any kind of hardships that will try to break us apart. I am looking forward to our next greeting, my love. Love Your Dearest, Romeo Montague

The Relationship Between Student Success Courses and...

Introduction Importance of the problem With the intent of raising the state’s mediocre ranking among higher education institutions, the Tennessee Legislature passed into law the Complete College Act (CCA) in 2006. Setting a goal of increasing the number of college graduates by 3.5 percent annually, the law has radically reformed the way Tennessee funds its public community colleges and universities. Eliminating the old enrollment formula, which funded the institutions based on student enrollment headcounts, the CCA is a model of incentive funding, based on the retention of students and the production of degrees. Its impact on Tennessee’s higher education institutions became a frightening prospect for some under-performing institutions, especially within the state’s community college system. With a limit to the available monies earmarked for higher education, the community colleges suddenly found themselves in the precarious position of competing with each other for available state funding (Jones, 20 11). As a result, the colleges were forced to switch gears from strategizing how to get students into the college, to strategizing how to retain them until graduation, and thus receive an adequate, if not bigger, piece of the funding pie. Acting independently from their fellow institutions, college administrators and faculty began to brainstorm ideas of how to keep students in college and how to increase their achievement. 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